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Directed by by Frank Sputh, Bin Martha, Kolumbianerin (I'm Martha, Colombian) is a slowcumentary, the nearly three-hour portrait of a young Afro-Colombian woman, a slow, closely observing documentary.

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Entries in interviews (38)

Friday
Jul182014

From Street Hustling to Cannes – How One L.A. Actress Got $2,400 to Pitch Her Natural Hair Documentary (Part 2)  

When IndieGoGo no longer seemed promising for actress Nydia Simone’s crowdfunding campaign, she turned random people on the streets of Los Angeles into benefactors of her Cannes Film Festival trip. The experience quickly came with some hard but important lessons as she met with strangers in several areas including Long Beach, Old Pasadena, UCLA, Baldwin Hills and Crenshaw Plaza.

Getting donations from people who generally don’t carry cash on them when they’re surfing was among Simone’s many obstacles. Still, that Hermosa Beach experience was nothing compared to getting kicked out of The Grove by the concierge and later visiting Beverly Hills – a place she believes is so pretentious, you can feel the judgment oozing out of people. When a man who donated to the Cannes trip asked if Simone was homeless, she started wondering if her signage deterred potential supporters.

In the end, she is certain that all successful moments during this entire stint pounding the pavement was made possible by letting go of her pride and talking to God. I met with Nydia Simone before she flew off to France and we discussed how this New York native went from living out of a carry-on bag to getting over $2,400 in two weeks for her Natural Hair Documentary.

Madlab Post: How many hours a day did you spend holding signs and collecting donations for your Cannes trip?

Nydia Simone: An average of 3-5 hours a day. In the beginning, it was three hours and then I was thinking “If I’m gonna get this money, I need to average like four or five hours a day!” and that’s just standing outside. That doesn’t count me going there – and I take public transportation. So, it takes time to get there and it takes time to get back. I remember one time it took me over two hours to get to a place and I was a little upset because all I got was $35 at this beach but I did get a really cool idea after that. The thing is, you live and you learn.

In between getting money for Cannes and auditioning for film and television roles, actress Nydia Simone also worked with production crews.In total, it takes up your whole day because you leave in the morning or mid-morning, you get to your spot and by the time that’s done, you go home.

You collect all these business cards and you’re emailing people “thank you for this” and people that want you to work with them or send them your headshot or information, blah, blah, blah!

Half of these people are bullshit. So, you have to figure out which ones are real but you never know. I’m going to be interning with a distribution company that I met on the street.

I don’t know what will come of that but I’m going to absorb notes and work as hard as I can so that they go “That girl right there is going to be somebody and do something amazing! We better watch her!”

Why did you choose those particular locations where you went to collect donations for your trip?

The most important thing was traffic. High traffic wins over…whatever. Sometimes I would get advice but I stopped listening to people because they were giving horrible advice. People told me to go to Hermosa [beach] – that was a horrible, horrible place! It was probably pretty good for what they were doing, but for what I was doing, I needed to be somewhere else. So, I’ve researched high traffic areas in L.A. when I ran out of ideas.

I learned that places where there is community, the people in that community are more likely to donate than those in tourist spots. When I went to Hollywood and Vineland – I could only stay for an hour that day because I have so much to do – but I got one dollar in an hour. Maybe I could’ve gotten $20 in the next five minutes -- you never know, but that’s not a good place for me to be.

Is there a stake in the community? North Hollywood was really good because a lot of people live and worked in L.A. and they believed in dreams. Crenshaw was great because black people are more likely to donate. Period. It’s a community, they want people in the community to do well; the older people in that community want young people to do it!  It is common for people to collect donations this way. People don’t do it as much in California but I feel like what I did wasn’t so outlandish. Maybe it was, but I was so desperate that I was like “I don’t care,” (laughs).

Of all the places you went to collect donations, which spot brought the least amount of donations and what areas contributed larger donations?

The most amount I received was at Crenshaw Plaza -- $201 in one day. The least amount of money was West Hollywood and that was like $30. However, a lot of factors go into it because what time of the month are you going? Everybody has money at the beginning of the month. At the end of the month, their funds are a little low. It was the end of the month when I went to West Hollywood. Maybe I didn’t go to a good spot.

Maybe I didn’t have as much traffic as I was expecting. You can’t be on private property; you have to be on public property. The most I got was $35 or $37, so that was probably the worst place just because people didn’t have cash on them; If you’re in a bathing suit, then you’re probably not carrying any cash. I know I still have a lot to learn about crowdfunding, but, I make more money collecting cash on the street than on IndieGoGo.

What factors attributed to your IndieGoGo campaign falling short of its goal online?

My video was basically just me and my computer. Definitely your video is very important – if it’s nicely edited, if you have it done professionally, you’re probably going to get more money. I edited my video on iMovie and threw it up on there; you can see the black couch in the background.

When we’re face-to-face, I can sell you on my film, what I’m passionate about and what I want to do. It’s either you’re going to donate or you’re not. If you’re not, let’s move on to the next person. It’s very straightforward. Online, people have to take out their credit card, look at the numbers, and type them in. Soon it’s like “I don’t think I want to do this anymore. Oh, the pizza is here! I forgot,” so it’s a lot easier to get money now, on the street.   

What role does making movies, particularly documentaries, play in furthering your goals as a Television actress on Nickelodeon or Disney channels?

This came because I learned that as a black actress, in Hollywood, we just don’t get hired. People are like “Oh no, I hired a black girl last week” and a lot of people will agree that yes, black people do get hired – but not that much in Hollywood.

If I’m going to be working here, I’m going to have to create my own work. Otherwise, I’ll just be sitting around twirling my fingers.

I’ve wanted to do this documentary for 2-3 years and planned on waiting until I was seasoned and know more about show business but if I wait, I’ll just be waiting. This has already provided opportunities for me. I’m working on a new television network called the G-Block for teens and tweens. As soon as I figure out when we’re going to be shooting, then I’ll be able to start my production schedule. I’ve noticed that when you’re on a moving train, everything just comes. But when you’re waiting, nothing comes.

Stay tuned as my conversation with actress/producer Nydia Simone continues, where we cover…

  • How Facebook played a role in her decision to seek out movie investors in France.
  • Why she changed her business major to acting while studying at The City College of New York (CCNY).
  • How she survives in L.A. while making time to attend church with one of Hollywood’s elite couples.

If you missed my chat with Nydia Simone about her Natural Hair Documentary, read Part 1: HERE.

 

What are some of the most pretentious cities/towns YOU'VE ever visited?

Who is YOUR favorite natural hairstyle wearing actress?


*Photos courtesy of Nydia Simone

Friday
Jul112014

Making Movies vs Writing for Television - A Cameron Avant Show Interview #Podcast 

(l-r): Actors Mark Johnson and Mike Gaudioso during a production meeting at PhillyCAM for the movie 'Abyss: The Greatest Proposal Ever."Do men make the best doctors?

Prompted by my casting choices for the narrative drama film "Abyss: The Greatest Proposal Ever," this question highligted many of the generalizations we often make about our fellow man (or woman); and is among the many topics discussed during my recent guest appearance on The Cameron Avant Podcast

Before moving from Philadelphia to Texas for six months, show host Cameron Avant invited me to deliver the scoop on inappropriate casting call responses and what it was like to improvise dialogue with actors while filming in Philly. In between reminiscing about meeting a cast member from the CBS Primetime Cop Drama "Blue Bloods" and sharing our disappointment with self-absorbed parents who are failing the educational system, we also addressed the possibility that my days of making movies are numbered. 
Want to know how gender stereotypes influenced the way I selected my cast members? Curious about whether or not I'm giving up movies to work in Television sitcoms? Grab some popcorn and hit the "play" button to find out!

 

Wednesday
May282014

From Street Hustling to Cannes – Actress Nydia Simone on a Natural Hair Documentary Mission

Film director/actor Mario Van Peebles is the first celebrity to donate to actress Nydia Simone's Cannes Film Festival trip, on the street during her IndieGoGo campaign.Less than 10 months ago, New York City native Nydia Simone moved to Los Angeles with one bag, a carry-on and her sights set on becoming a television actress for the Nickelodeon or Disney channel. This aspiring Hollywood player soon leaped at an opportunity that would help her make a documentary film about a topic she and many ladies can relate to – natural hair.

Upon acceptance into a filmmaking program operated by The Creative Mind Group, Simone collected over $2,400 in donations from strangers (including myself) to travel to France and pitch her movie to potential investors at the 2014 Cannes Film Festival.

Before heading to the festivities a few weeks ago, Simone chatted with me about her experiences so far and what she aims to bring back from Cannes.

Madlab Post: How would you describe your Natural Hair Documentary and its working title?

Nydia Simone: “Natural: Documenting the World of Natural Hair Evolution,” which completely describes my documentary because it’s all about the worldwide change and movement of the natural hair revolution.

I feel like it was so present but the media wasn’t discussing it and still, today, everyone knows about it but nobody talks about it. I was working on Broadway for the producers of “A Streetcar named Desire” when Nicole Ari Parker, Blair Underwood and Wood Harris were the lead stars. During an interview, Parker mentioned going natural because of her daughter – ‘I don’t want my daughter to look at me and feel like her hair isn’t beautiful because of what I’m doing to my hair’ and I was like ‘oh my gosh, that’s so different from why I went natural and not even close to why I did it;’ everyone has a story.

l-r: Nydia Simone with "Soul Food" & "New Jack City" actress and naturalista Vanessa Williams, at the 2014 Pan African Film FestivalMy documentary is going to feature stories of natural hair while documenting what has come from that movement – people who now have [natural hair] product lines, people who became famous such as hair gurus; I also want to talk about what it means to be natural. When you’re a kid, you really don’t have that many qualms about your hair – your mom does your hair. It’s when you’re an adult that you’re like “it has to be this way” and “no, it’s horrible, I have to figure it out.” I feel like most black women, not all, know how to do their children’s hair -- but lot of them don’t.

We’re from the East Coast, where people know how to do their hair. These West Coast people are a different story, because I see kids looking crazy. I want to go to Sweden, Paris, Brazil and different salons and talk to naturals all over the world, not just in America. I want a big portion [of the documentary] to be in New York. I want to go to L.A. as well, but definitely New York because there is a pride – you don’t just have pride in being black, there’s a pride in your hair, in a way that L.A. is not.

How much progress have you made on this Documentary so far and what will the securing of investment money mean for the project?

I have a treatment already done. Since I don’t have the awesome footage I shot, including with a celebrity hairstylist, I’m starting from square one. It’s so sad because I had a cinematographer but he’s not returning any of my calls. So, I have to create a sizzle real for my documentary, literally in like two days! I’m going to do it. I thought I had a lot and I guess that’s what happens when you get favors from people.

You have to work right with people – confirmations, etc. so that you can both be on the same page rather than communicating via informal text messages, which has led to no-shows more than once. I’m going to make a sizzle real because God got me this far and I’m going to frickin’ France with something! Video is so important. I’m asking for complete funding of $65,000 (up to $150,000 if possible) for my film. I’ll be able to hire everybody I need to hire, attract and secure talent while being able to live my life as a filmmaker without worrying about rent and not having money.

I’ll be able to go hard 100% on this film.

If you do something at 100%, you will do it well. I just learned that from fundraising. I was out there every day getting money to go to Cannes. I’m very excited and among the people I want to interview are Viola Davis and Whoopi Goldberg, which is a big deal for me because she never compromised – she’s been Whoopi! Her hair has been her hair and she doesn’t change. She’s been extremely successful being herself and I think it’s important to talk about it and I would really like to hear what she has to say about natural hair and how it’s affected her career, because I know it’s affected her career; and people like Tracy Ellis Ross, who has the more widely accepted natural hair but at the end of the day, it’s still black hair.

*Stay tuned for MORE with actress/producer Nydia Simone, including:

 

  • The guerilla tactics that led to her being mistaken for a homeless person in Beverly Hills
  • How she plans to balance this Natural Hair documentary with her work duties on a Saturday Morning TV show coming to FOX

 

Now tell me....

What influences YOUR decision on choosing the hairstyles that you wear?

How much time do YOU spend on the maintenance and styling of YOUR hair?

Of all the actors/actresses in the movie industry, whose hair do YOU favorite (or envy) most?


 *Photo(s) credit: Nydia Simone

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