Urbanworld Film Festival 2024

Movie Review Coming Soon!

Directed by by Frank Sputh, Bin Martha, Kolumbianerin (I'm Martha, Colombian) is a slowcumentary, the nearly three-hour portrait of a young Afro-Colombian woman, a slow, closely observing documentary.

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Fine Art Reproductions - Limited Edition Giclees on Canvas and Limited Edition Prints by World-Renowned Visual Artist and Designer, Synthia SAINT JAMES

 

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Come SUPPORT the makers and SHOP for the holidays at MADE@BOK Small Biz Saturday Market where you can get a head start on The Madlab Post’s Shop Small Treasure Hunt with movie tickets, videogames and more! This is a market featuring crafts from artists, designers, makers and small businesses that create within the walls of the historic Bok building. Free entry!

FOR YOUR CONSIDERATION:
Perspectives directed by Neer Shelter has qualfied for the 2024 Academy Awards

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FYC: Academy qualified short film 'Perspectives' directed by Neer Shelter | Oscars Shortlist

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Rent Abyss: The Greated Proposal Ever, a short film made with a diverse cast & crew working together to tell a story about Love, Friendship and PTSD! This urban military homecoming drama is a candid glimpse into the troubles surrounding a U.S. Army Sergeant who gets stranded by SEPTA in the inner city when a wild marriage proposal shakes up his plans to reunite with the only family he knows. 

The 2019 Short Film Slam Round V Championships is showing at Motor House in Baltimore, MD. Visit the Shop for Advance Tickets to our awards showcase!

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Entries in Short Films and Videos (47)

Sunday
Sep162012

Send Suicide Packing - 'Ritechus Cry' Filmmaker Jacolby Percy Unmasks the "Black folks don't kill themselves" Claim  

In 2011, Jacolby Percy's short film "A Higher Power" was an official selection of the Urbanworld Film Festival where it screened in front AMC Theater audiences ready to soak in a story about death, faith and the consequences of a grieving fathers' criminal acts. Percy, who lost three members of his own family including his father, uncle and cousin all in a short period of time, gave viewers a story about people in crisis who cross paths and learn from each other.

Percy's new film "Ritechus Cry" (formerlly titled "Rear View" until recently) tells the story of a suicidal hip-hop artist who is trying to maintain his tough public image despite secretly dealing with depression. This summer, I did an interview with Jacolby Percy, where he explains how this short film came to light, misconceptions about suicide and the best coping practices when your loss hits close to home.

Madlab Post: Is the close family member who inspired you to make "Ritechus Cry" the same person who is the inspiration behind "A Higher Power?"

Jacolby Percy: No. Actually, it was a cousin. What's interesting about that is, before I came to New York where we did that interview for the [Urbanworld] film festival, my cousin took his own life. So, I was going through that [grief period] at that time. It literally happened a few weeks before I left to go to New York, so I was struggling with that -- it was so surreal. I lost my father a few years prior to my cousin's death.

Although your cousin's suicide shook up your family, does "Ritechus Cry" have the ability to help your family heal and come to terms with his death?

Yeah absolutely! I am inspired by my cousin, of course, but I had no thought in my mind about making a movie [of this subject matter] because of his death. I had friends who approached me and shared their own experiences with losing family members to suicide, while offering condolences for my loss. They either lost somebody or know someone that knows somebody that this happened to and I was shocked to hear what they told me.

At the time, I was already working on a coming-of-age story about a hip-hop artist and co-writer Byron Morris who also appeared in "A Higher Power" came to me and said "Man, I got this idea for a movie about suicide..." while telling me about some things he was going through -- without having any prior knowledge of what was going on with me and my family. So, I was like "What?!!" because what I was writing was similar to what he was saying.

It was just crazy! So, I kinda merged the two [Hip-hop story and suicide ideas] stories. These experiences told me that I needed to make this film -- I was kinda hesitant at first because the subject matter was so sensitive and so fresh at the time. After I heard from Morris, however, I was like "Aw man, I have to do this movie!" So, this is for all people who have experienced suicide. I'm just trying to bring awareness to it. Of course, the movie will be good for my family and any family because it has resolutions at the end -- not just someone going out and killing themselves; that's not helping anybody. "Ritechus Cry" is a raw, gritty film with very complex subplots -- it's not just about suicide. It's about what's going on as we speak right now.

I just want people to realize that if you're hurting, you don't have to put on this mask, as we tend to do -- especially the African-American population, myself included. When I was a younger kid, I put on this mask and felt like I can't ask for help for anything, so it's extra tough. When you're a hip-hop artist, that toughness is almost required -- you can't come out and say "Oh, I'm having dark thoughts" or "I'm feeling bleak." So, that's why I'm doing this. Hopefully, it will help my family but even as they mourn, there are millions of other people going through this, not just my family. Loss by suicide is not an isolated experience.

What motivated you to choose Hip-Hop music as the career path for the main character rather than a blue-collar or even white-collar field with high depression rates such as the Food Service industry, nursing or educators?

In a sense, we know that the majority of humans who take their own lives are normally caucasians; there was also a large number of African-Americans who comitted suicide since the 1990s. Although the number has declined greatly in recent years, suicide among African-Americans still occur.

A while ago, a little girl came up to me asking what "Ritechus Cry" was about -- when I told her about the movie, she said "black folks don't kill themselves!" and I'm like "[Sarcastically] Oh, they don't?!! 'Cause I know a few who have!" -- So yeah, suicide is prevalent in blue-collar jobs or among white people, etc. but for some people to say [or believe] that it doesn't exist in the black community, where do we go then if it happens to our families? Do we just sweep it under the rug? Take the pain and not mourn in the right way?

For people who don't know, it's a different type of mourning when it comes to suicide. It's not a normal type of mourning -- I think it's proven to be one of the worse because you don't have the comfort of knowing that if the person could be here, they would. Just the thought "Aw man, if that person could be here, he or she wouldn't want to be here. They took their own lives" -- all of that is extra on a person's mind when someone that they know commits suicide.

There are so many unanwered questions, so there is a different approach to healing after that. So, where do we go if suicide is nonexistent and black folks don't kill themselves? It's not that widespread where you see it all the time but just look around -- it's happening more than you know. Off the top of my head, I can name at least five or six people who committed suicide in the last year. All of them are African-American or people of color, so I wanted to use somebody that you would least expect.

That's who it normally is -- not the nerdy guy who's sitting in the corner who's a weirdo. He does it too, but I'm just saying, a guy who has to walk around in the world with this tough bravado -- that's the guy who you'd least expect and sometimes, they are the weakest ones. In our community, I've seen a couple of people who were thought to be tough and they killed themselves.

It's like "Wow, this doesn't make any sense! That guy had to be setup, he had to be murdered or something. He just wouldn't kill himself!" but you just never know what's going on a person's mind. That's why I wanted to do it with a tough guy, a hip-hop artist who you wouldn't normally see take his own life.

In your experience, what are some of the most effective ways people can learn to cope with their loss of a family member or friend who committed suicide?

From my experience and what I've seen talking to people is that you have to be around people who support you and people who understand. What I mean by that is people who have been through the same thing such as suicide support groups, etc. because what I say to you when somebody just died of natural causes or sickness might affect you differently if it was a suicide. You might hurt a person by telling them different things or tip-toeing around the issue and people don't know that.

To cope with suicide from my understanding, you just have to be around people who have been through it. A lot of support groups and community center programs are free. You need to talk to someone who has already crossed that hurdle of experiencing it and knowing how to cope with it -- that's the key, because you never get over it. Trying to deal with it like a normal type of death is not going to work. The overwhelming amount of guilt that comes along with suicide is deeper than any other death. If you lost a family member or friend suddenly or to heart failure, etc. you come to develop an understanding [about their death] later on but suicide is not like that. 

How did IndieGoGo beat out other crowdfunding services for your "Ritechus Cry" fundraising campaign?

[Laughing] I need all the money I can get to make this happen. 

If you give me half towards my goal, that's so generous and great -- we'll have to work with that. I know that I have a certain goal and there are certain things we need to make a quality film such as equipment rentals, locations and even small things that come up behind the scenes that people don't know about. Every little bit counts, so I say rather than get zero dollars, I can work with whatever I get. You never know what will happen -- you could get over the goal, hit the goal right on the money or meet much less than your goal.

We don't know and I can't predict the future, so I felt like going with IndieGoGo after weighing my options. It was a better platform for me and what I'm trying to do. Making a film is expensive, and I've been trying to raise funds in other ways as well. Once we reach a certain amount on the IndieGoGo campaign, we're giving a portion of the proceeds to suicide prevention programs and community centers to help. 

"Ritechus Cry" (formerlly titled "Rear View") is currently in development and raising funds for the production on IndieGoGo. This film tackles an important subject that far too many people either ignore or don't take very seriously, which is why I urge those of you reading this post to support the film through donations (they are being accepted for as low as $2...most people have two dollars!) and/or sharing this interview with as many people as you know who can help "Ritechus Cry/Rear View" reach its fundraising campaign goal on IndieGoGo.

Have YOU lost a friend or family member to suicide?

What are YOUR best suggestions for coping with the death of a loved one?

Which factors do YOU think play a role in high suicide rates among certain gender, job, age or racial groups within the population?

UPDATE - September 16, 2012: After I published this interview, the film's director informed me that he changed the name of his movie to "Ritechus Cry." Please note where necessary.

Sunday
Jul222012

Couch Fest 2012 is Now Accepting Short Film Program Hosts #indiefilm

Couch Fest, the film festival that takes place in people’s living rooms and related alternative venues is now accepting applications for Couch Fest 2012.

That means you can host your very own short film program in the comfort of your own home. All you need is a DVD and Television or screen and preferably a couch or somewhere for people to sit. Some of you may remember this film festival from the interviews that I did with Craig Downing.

The crew at Couch Fest says you can host their program of short films “at home, at work, with a community organization, at school, on a pirate boat, in a tree house, at your local theater, in a cave, as a flash mob, or wherever!” -- the festival showcases unreleased and award-winning films that come straight from the current film festival circuit from fests such as Sundance, Seattle, SXSW and Melbourne.

Celebrating its fifth year, Couch Fest Films is proud of bringing movies to people in a local and cozy atmosphere -- so proud that the festival staff say they will get into a dirty school-yard fight to defend every film that is accepted that you dare to bad mouth!

Last year, Couch Fest Films had hosts around the country and beyond in places such as Oman, California, Peru, Iceland, New York, London and Haiti.

For more information on how you can get involved, check out the Host Applications Page for Couch Fest 2012.

Now, tell me…

What was the last short film that YOU watched? and What was the last film festival YOU attended?

Friday
Jun082012

Director Amir Motlagh discusses Shooting on Canon 5D, Hopelessness and his ‘35 Year Old Man’ #indiefilm

35 Year Old Man directed by Amir Motlagh

An exciting weekend is upon us, as the 12th Annual deadCenter Film Festival is screening “35 Year Old Man,” a short film about a guy named Greg who, as the synopsis points out “turned 35 two days ago. Yesterday, he bought a toaster and cleaned the fridge.”

In a recent interview with “35 Year Old Man” director Amir Motlagh, I found out that the tiniest discoveries can lead to overcoming obstacles, his thoughts on whether age matters or not and also learned that just because short films have a small runtime doesn’t meant that they took 48 hours to complete.

Madlab Post: Does the online availability of “35 Year Old Man” hinder your opportunities to screen at film festivals? If not, have you found the festival circuit helpful in attracting online audiences?

Amir Motlagh: Yes it certainly does to some festivals. In fact, a couple have disqualified us, but gladly taken the money. In truth though, this film was never intended for the festival circuit and was going to be a “straight to web” release. We decided in the end to go both routes, and send it out to a couple fest’s and see if they wanted to premiere it concurrently with a web premiere, and sure enough, a couple festivals did.

So now, we will see if these things help one another. I’m not so much interested in how many views the project receives, but more so, how it affects those who do find it. Its far too gloomy to be viral, although Dailymotion did pick it up for a staff pick.

Greg’s delightful observation at the end of “35 Year Old Man,” about sleeping, appears to shine a ray of light on his generally somber existence. Was that part of the story intended to motivate audiences in some way, where their own lives are concerned?

It’s the tiniest of sparks that lead to overcoming great obstacles, so even in Greg’s great depression, there is a point of hope, even though, the form of this hope still lies outside his immediate realm of control. If this film elicits self reflection for an audience member, it might be a good start for action if you identify wholeheartedly with Greg’s circumstances.

Is 35, or any age for that matter, just a number? Or, is it MORE than a number?

35 is relative. This certain angle of hopelessness can occur at any age, probably starting at your teens and on. However, I chose this particular age for the film because I think that this is nearing that neighborhood where societal demands evert those extra arduous forces screaming for stability and responsibility that carries on ad infinitum.

(l-r) Actor Bob Turton & Amir Motlagh

What did you shoot on and how long did the production last?

This was an extremely small production. It was shot on a Canon 5d and a Nikon d7000 with a variety of different lenses. From principal photography to wrapping post, in all, it took around 5 months. The time could have been cut in half with a heftier budget, but I couldn’t have wished for better help.

What advice would you have for 30 year-old aspiring actors who were in Greg’s position six years ago and have plans to move to Los Angeles to further their careers?

Honestly, it’s probably easier to pursue a career as a working actor in your 30’s, then in your 20’s. For one thing, most people have moved on to something else once the dream of stardom has waned. But its certainly not for everyone, and the more kids and or family obligations you have, the harder I assume it is.

I would suppose that acting is not as centralized to Los Angeles as it once was, so, if you are doing great where you are, and happy with the type of work you are doing, do you have to move? But if you do move, the only real advice is to stay focused, do not let cynicism take over, stay hungry, starve doubt, and don’t hate your city.

(l-r) Cinematographer, Lisa Gallo & Actor, Bob Turton

On managing to make a living and still being able to continue to make more films despite the fact that his work is often available online -- in an expensive industry where many other filmmakers are trying to break even and/or pay back their investors....

“I've had great support along the way, but the direction I'm heading is different then the one I've paved. -- I spent a fruitful many days experimenting with new technology and its subsequent altering of the traditional filmmaking process. But whereas I had a deep love of the fringe, I don’t so much identify with that world anymore. I’m looking for that audience, whereas I never minded one before. And this mindset alters everything.

I guess you find a way to make it work for you, if that's what you really want to do. At this point, since my company owns most of my works, I can put them online. I was tied into some distribution deals over the years, but most expired in the last couple years, and I'd rather have the work accessible to those who find interest in them....”

- Amir Motlagh

Want to know more? Check out my companion interview with Amir Motlagh, on the deadCenter Film Festival and other goodies!

“35 Year Old Man” written and directed by Amir Motlagh is screening this weekend in the deadCenter Film Festival’s “Rated ‘R’ for Ridiculously Awesome Shorts” program.

Saturday, June 9, 2012 at 7:30pm and Sunday, June 10, 2012 at 8:15pm

Both screenings are being held at the IAO Gallery in Oklahoma City, OK.

Don’t live in or near Oklahoma City? That’s ok too. You can still watch “35 Year Old Man” HERE.

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