What are Your Favorite Oscar Nominees for Best Original Song?

Over the weekend, The LAMB published an Oscars post that I wrote about the Best Original Song nominees. It was an opportunity to explain why the lead tune from “Chasing Ice” is worth a listen despite making the movie seem long and boring.

I also shared how the comedy “Ted” starring Mark Wahlberg allowed Norah Jones’ vocals and the musicians’ talents to work to its advantage but not enough to get my vote. After realizing that “Life Of Pi” didn’t have any memorable songs that stood out and “Les Miserables” just gets props by default, I think that the nominations are all over the place.

Still, everyone has their favorites, which brings me to the theme of this week’s Monday Movie Meme: Best Original Song.

Share on your blog or in the comments section, some of your favorite Oscar nominees for Best Original Song. The song can be from any previous Oscars season, so long as it was among the nominations. Here are my selections for this week’s Best Original Song theme.

Skyfall
This pick needs no explanation, especially since Adele already won a Golden Globe for her James Bond tune. The song is hot! Need I say more? If so, I have you covered -- see when I made a case for Skyfall winning the Oscar for Best Original Song.

I Don’t Want to Miss a Thing
Say what you want about “Armageddon” -- a lot of people think this movie is ass and other people (like me...thanks to Bruce Willis) enjoyed watching it. Regardless, Aerosmith did a fine job making “I don’t want to miss a thing,” which earned them an Oscar nomination for Best Original Song during the late 90s. Although Whitney Houston’s collaboration with Mariah Carey for the “Prince of Egypt” soundtrack eventually took home the golden statue, I would still bump Aerosmith’s track any day of the week!

Lose Yourself
I remember watching the 75th Annual Oscars that year when Eminem -- a rapper -- won for this inspirational track from the dramatic narrative “8 Mile.” The beat and lyrics are so dope, I dare you to claim that you still don’t believe you can take on the world after listening to this song.

What are YOUR favorite Oscar nominees for Best Original Song?

Production Updates, Announcements and the Monday Movie Meme

After a brief hiatus, The Monday Movie Meme will return in two weeks, on January 28th. I’ve also narrowed the potential editors for my short film down to two guys, so one will hopefully be selected by this weekend. I’m currently logging (hours of) footage -- a tedious and sometimes frustrating, but necessary, task so as to aid in a smooth post-production process.

I’ve been assigned to devour the Oscars for The Lamb sometime between now and February 24th. I have to cover the Best Original Score category, so that should be fun.

Also, remember when I participated in the Blogging from A to Z Challenge last spring? Well,  a few months ago, I accepted an invitation to become a host for this year’s A to Z Challenge! That means I am among the 12 co-hosts for the 2013 Blogging from A to Z Challenge headed by the main host and founder, Arlee Bird at Tossing It Out. There are lots of administrative, organizing, developing, monitoring and general oversight duties that goes along with the hosting position but rather than bore you all with those details, I’m going to sum up the fun and most important part of this event...

The Blogging from A to Z Challenge is an annual blogathon that takes place in April where bloggers here and abroad post a blog every day centered on a different letter of the alphabet. Since its inception, the A to Z Challenge has been growing by the number of participants each year. There were well over 1,700 participants in 2012 and this year is expected to be bigger than ever. Anyone (yes, including YOU) can participate. More details can be found at the A to Z Blog. The sign-up list opens on January 30th.

Here are the Co-Hosts for the 2013 A to Z Challenge:

Arlee Bird at Tossing It Out
Tina Downey at Life is Good
Alex J. Cavanaugh
Damyanti Biswas at Amlokiblogs
Jeremy Hawkins at Retro Zombie
Shannon Lawrence at The Warrior Muse
Stephen Tremp at Breakthrough Blogs
DL Hammons at Cruising Altitude 2.0
Matthew MacNish at The QQQE
Konstanz Silverbow at No Thought Too Small
Nicole Ayers at The Madlab Post
Livia Peterson at Leave It to Livia
L. Diane Wolf at Spunk on a Stick

Last but not least, I will be introducing you all to the cast (and maybe a few crew members as well) of my short film, in the coming weeks. I also realized that the King Dong series slipped my mind over the holidays, so we will be revamping that as well. If there are any actors who you would like to nominate for a spotlight, let me know and I will get on it as soon as I can.

As always, thanks for reading. You guys (and gals) rock!

Making the Case for ‘Skyfall’ #TheLAMB

Awards Season is upon us as mainstream and indie films vie for Hollywood’s most coveted honors from the Screen Actor’s Guild, The Hollywood Foreign Press Association and The Academy of Motion Picture Arts and Sciences, to name a few. This also means it’s time for the Annual Awards Nerdism blogathon, hosted by Stevee Taylor at Cinematic Paradox.

The subject is Making a Case for Movies that Probably Won’t Get Any Awards Recognition. So in the name of Taylor’s blogathon, here is a movie that probably won’t get major love in terms of award nominations in the Music categories but I think it should: Skyfall.

Best Original Score
I haven’t bought any movie soundtracks in a long time and composer Thomas Newman’s work on “Skyfall” will change that. There are moments during this latest James Bond film where the music had just as much as, if not more, of my attention than the action taking place on screen -- not in a poor sound mix or unwise choice by the music supervisor or sloppy timing with the editing kind of way but in a "oooh, I’m feeling the intensity of these tunes so much that I want to download them from iTunes" kind of way. The score and the imagery -- complete with great performances, pacing, editing (and everything else happening on screen) complemented each other in a way that is rarely noticeable in the average film.

The score in many films are either so ordinary that I forget that it even exists or these tracks have something going for them but not enough to justify playing in an audio-only listening session. In other words, they aren’t useful in any other medium outside of the movie that they represent. Newman offers audiences -- both movie fans and music aficionados alike -- a film score that can stand on its own with or without James Bond in the picture.

Yes, the “Skyfall” soundtrack may not be expected to serve as nothing more than a suspenseful supporting foundation for which M16’s dangerous missions can be carried out. Maybe that’s why this movie makes for a good “Best Original Score” nominee -- the underlying music carves out its own role as a character operating on equal playing field with 007 himself. That is why I think “Skyfall” is deserving of an award nomination in the music category.

Best Original Song
“Skyfall” by Adele may become my most favorite James Bond theme song, to date. Until now, I favored “Another Way to Die” by Jack White and Alicia Keys, on the “Quantum of Solace” soundtrack but Adele takes the cake -- for almost the same reasons that I’m making a case for Thomas Newman’s score. I say almost because although the song does fit within the movie well, it’s more enjoyable when played as a standard music track on iTunes or YouTube or Pandora, etc. than during the “Skyfall” movie’s opening title sequence. Adele’s voice lends to the music but both elements are beautifully in sync, setting a nice tone for the film’s plot.

It would be easy for anyone who is not familiar with, or aloof to, the James Bond character and “Skyfall” to assume that the Adele’s song is about a couple dedicated to each other, even in times of turmoil. After watching the movie, however, all I can think about is how much this song can be interpreted to reflect a bond between 007 and M -- their sentimental values as well as their unshakeable, yet unspoken, will to protect and support each other, as it relates to the roles and responsibilities that they have taken on at M16.

Have YOU seen “Skyfall” yet?

If YOU were a voting member in a film-industry related organization, in what category would YOU nominate “Skyfall” for an award?