Urbanworld Film Festival 2024

Movie Review Coming Soon!

Directed by by Frank Sputh, Bin Martha, Kolumbianerin (I'm Martha, Colombian) is a slowcumentary, the nearly three-hour portrait of a young Afro-Colombian woman, a slow, closely observing documentary.

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Fine Art Reproductions - Limited Edition Giclees on Canvas and Limited Edition Prints by World-Renowned Visual Artist and Designer, Synthia SAINT JAMES

 

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Come SUPPORT the makers and SHOP for the holidays at MADE@BOK Small Biz Saturday Market where you can get a head start on The Madlab Post’s Shop Small Treasure Hunt with movie tickets, videogames and more! This is a market featuring crafts from artists, designers, makers and small businesses that create within the walls of the historic Bok building. Free entry!

FOR YOUR CONSIDERATION:
Perspectives directed by Neer Shelter has qualfied for the 2024 Academy Awards

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#Oscars #Shortlist

FYC: Academy qualified short film 'Perspectives' directed by Neer Shelter | Oscars Shortlist

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Rent Abyss: The Greated Proposal Ever, a short film made with a diverse cast & crew working together to tell a story about Love, Friendship and PTSD! This urban military homecoming drama is a candid glimpse into the troubles surrounding a U.S. Army Sergeant who gets stranded by SEPTA in the inner city when a wild marriage proposal shakes up his plans to reunite with the only family he knows. 

The 2019 Short Film Slam Round V Championships is showing at Motor House in Baltimore, MD. Visit the Shop for Advance Tickets to our awards showcase!

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Thursday
Nov042021

On Set with ‘Oblivion’ director Fatemeh Mohamadi's Pop Culture Loving Crew #NaBloPoMo 

While Fatemeh Mohamadi entertained audiences as a stage actress and teacher long before filming her directorial debut Oblivion, she always knew she wanted to be in the driver’s seat. 

'Oblivion' director Fatemeh Mohamadi During Round III of the 2019 Short Film Slam, she and I spoke briefly about her motivations for making this live action drama about an elderly couple dealing with Alzheimer's disease, her goals with filmmaking and experience in theater. 

As we take a closer look at how this film came together, hear from the director on her need to be seen, ability to improvise and challenge the hearts and minds of the world....


Fatemeh Mohamadi: I was fond of team work from childhood and always liked to play shows for the elders in my father’s family. I gave my family’s children roles and directed them in their roles. It was the best entertainment for me. We also sold symbolic tickets. 

Since I was the only daughter of my father’s family, I had some of the boys wear a woman’s dress. My brother and cousin cried and did not want this role but they had to accept it. 

Once they beat each other hard on the show and the show broke off but I tried to tell the grown-ups that this was part of the show. I later found out this was a technique that I knew instinctively.  

All this made me realize I’m interested in directing and directing the group. I first started with the theater. After a while, I taught in secondary school and middle school. My students won tournaments and I received prizes but after a while I felt that the only thing that satisfies me is the cinema. I just tried to use the good experience that I had in the theater and then I forgot acting and directing in the theater because I lived directing the cinema. 

The first thing any creator needs is for more people to see his creation, as God wants his servants to see his creatures more closely. So festivals are the best opportunity for filmmakers to overcome this need. 

I just want more audiences for my movie around the world. It’s even better for me than the prizes. I love the audience encouragement and this is the best sound that a filmmaker wants to hear because he wants to be sure of his own actions. 

I like to improve the culture of humanity, for humans to be kinder together and to other creatures, and the world to be a better place to live. - Fatemeh Mohamadi

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