6 Good Reasons to Join Troop 491 at the BronzeLens Film Festival in Atlanta

The Muddy Lions cast with director Praheme on the set of "Troop 491: Adventures of the Muddy Lions."It’s Official! "Troop 491: The Adventures of the Muddy Lions" directed by Patrick “Praheme” Ricks is screening in Atlanta, GA this month at the 5^th Annual BronzeLens Film Festival.

For those who are unfamiliar with this movie, it is a family adventure about an artistic middle school student whose mother signs him up for the Boy Scouts, to keep him out of trouble. After witnessing a murder, he must decide whether to follow the “no snitching” code of the streets or the code of the scouts. He quickly learns that doing the right thing isn’t easy.

I’ve covered this film several times because not only do I like it (I’ve watched it a number of times, in various settings and enjoyed every single viewing), I also know for a fact that many parents and youth could benefit from watching this movie. Having been present during a post-screening Q&A session of this film where people from all walks of life thanked director Patrick “Praheme” Ricks for making this movie, there are many reasons you should watch it; more than I can name right now but let’s start with a few good ones (in no particular order).

1. It has a gritty story that takes viewers through a myriad of emotions, inciting laughter, fear, disappointment, anger and joy before coming to a surprising conclusion.


2. Troop 491 boasts a hip movie soundtrack that the whole family can enjoy.


3. The movie provides an antidote to the stereotypical images of inner city youth – and their parents – that are often portrayed in more mainstream films.


4. There are uplifting messages of people exercising strength, honesty and faith while facing adversity.


5. It contains adult characters who take personal responsibility and interest in steering youth in a constructive direction.


6. Troop 491 shows the harsh realities of how the witness intimidation that runs rampant throughout inner cities has neither an age requirement nor any boundaries.

If you or someone you know is in the Atlanta area, I encourage you to go check out this movie.

Troop 491: The Adventures of the Muddy Lions is playing Saturday, October 25^th, 11:00am (EST) at the Georgia Pacific Auditorium in Atlanta, GA. This screening is hosted by the BronzeLens Film Festival.

Socially Conscious Film Directors Share their Views on Validation #atozchallenge #IndieFilm

On the set of the documentary 'TEN9EIGHT' directed by Mary MazzioWhat does validation look like -- an award, critical acclaim, audience favor, film festival acceptance/laurels, distribution offers, being charted at the box office, artist representation? I wonder how much is validation worth if we don't get it? Two thumbs up from the late Roger Ebert held a lot more weight for filmmakers than a pat on the back from our parents!

I too was among the filmmakers banking on those reviews, and when the Ebert Era came to an end, my hopes for success went out the window. I’ve since looked at Ebert’s passing as a gift that also changed my definition of what it means to succeed with one’s work.

For Mary Mazzio, director of the robotics and immigration documentary “UNDERWATER DREAMS”, that image of success is found in the level of social impact she has with her films. “What I love about our projects is the ability to impact someone’s thinking -- whether that’s a young child growing up under the most adverse of circumstances, where there is no opportunity, they can’t see opportunity and they don’t see role models; if you can present the piece of media that they feel speaks to them, and gives them a different outlook – that’s social change, which is really exciting,” says the former Olympian.

Mary Mazzio's film 'THE APPLE PUSHERS' examines the obesity crisis, immigration, entrepreneurship, and what it really takes to achieve the American Dream.She continues, “’THE APPLE PUSHERS’ was all about food deserts and the lack of access that poor Americans – mostly the urban poor, but also the rural poor –have to fruits, vegetables, lean meats and skim milk, etc. and they often don’t have supermarkets within a mile of their home. Consequently, they face, as somebody phrased it, a junk swamp – they can get all kinds of fast food, quickly, cheaply and easily but from a health standpoint, it’s totally unfair.”

 It was through Mazzio’s film production company 50 Eggs, Inc. that she organized screenings of “THE APPLE PUSHERS” in different cities with different federal and health organizations, and noticed the impact her film is having. “We saw really interesting brainstorming with all kinds of different people coming together [asking] ‘how do I solve this in our community? Well, maybe it’s a mobile food truck, or maybe it’s a mobile food bike, or maybe it’s something else altogether; how do we infuse these food deserts with fresh fruits and fresh vegetables. How do we do that?’ and that’s incredibly exciting to see,” says Mazzio.

Mazzio’s film “TEN9EIGHT: SHOOT FOR THE MOON” was also well received by audiences and blessed with a huge number of favorable reviews, despite having its detractors within the critics circle. “Tom Friedman who writes for the New York Times called on President Obama to put that in every school in the country. The Village Voice, on the other hand, said that I had invented a terrifying new genre called capitalistic porn! How hilarious is that?! They hated the film,” she says while stressing that her film was made for the kids in disenfranchised poor communities, not for movie critics.

Rahfael Gordon On Location in Brooklyn filming 'TEN9EIGHT' directed by Mary Mazzio

If anyone’s opinion validated her work, it would be the students that packed AMC Theaters in eight-ten cities where “TEN9EIGHT: SHOOT FOR THE MOON” opened free of charge to schools.

“On the first day of the run, I go to New York, I’m standing at the back; These buses are coming in and these kids are coming out – almost all of them African-American teenagers, some Hispanic, Latino, and I’m thinking ‘Oh God, Oh dear!’ My heart was beating out of my chest because I was like ‘Boy, is what I have to say even relevant to these kids?’ They’ve got jeans down to their knees; These are full-on teenagers with very limited attention spans,” says Mazzio – a self-described ‘blue-eyed hockey mom’.

She continues, “So the movie starts and I feel like I’m going to throw up because it was jammed. All of a sudden, you could hear a pin drop with these kids, and then, three-quarters of the way through, people start shouting at the kids on the screen in the movie. Like ‘You go Anné!’; ‘Rodney, Rodney!!!’ – OMG, the hair on my arms and the back of my neck stood up! I was like Oh-My-God, this is such a privilege that you can put together a piece of media that can slide through space and time.”

Audiences at Henrico Theatre swarm the merchandise table for TROOP 491: THE ADVENTURES OF THE MUDDY LIONS.Like Mazzio, audience response is what “TROOP 491: THE ADVENTURES OF THE MUDDY LIONS” director Partrick “Praheme” considers as the ultimate approval of his movies. “That’s what I live for – people being able to see my work. Making money is a great bonus to that, but seeing people have emotional reactions to my films – whether it’s laughing or crying – that’s where my validation comes from because it lets me know that what I was trying to put into the movie actually worked,” he says. 

"When you’re writing these scripts and making these movies, you never know whether people are going to ‘get it,’ whether people are going to like it, whether they’re gonna connect with it. So, when you see it, hear it and feel it in the audience, that lets me know that I did a decent job,” says the Howard University graduate whose film was well received in London, Houston, Richmond, and most recently in Tucson at the Arizona International Film Festival.

If Praheme and Mazzio’s experiences are any indication, all of the reviews in the world are no match for what a movie’s target audience has to say. “I felt like it was almost a religious experience; here are these kids responding to something that I tried to make for them. For me, that’s what it’s all about. So, the guy from the Village Voice can write what he wants, but I got calls from across the country -- the same thing was happening in Detroit, in Chicago, in L.A. – I mean, all of these school children filled the theaters, and they were teenage students primarily from inner-city, low-income schools. That was unbelievably exciting that they could see the kids in “TEN9EIGHT: SHOOT FOR THE MOON” in a way that they had not been used to seeing themselves on film,” adds Mazzio.

Production still from 'TEN9EIGHT' directed by Mary Mazzio“By and large -- there are lots of exceptions but I’m totally generalizing -- the portrayal of Hispanic and Latino teenagers in movies, and in the African-American community as well, is so stereotypical with very few positive, aspirational, authentic stories. So, I think that’s what these kids were reacting to – they saw kids in the movie overcoming issues that are just like what they had to overcome. They were so mad that the narrator of the film, Rodney Walker, didn’t win – he came in second. I think everybody thought he’d win and when they announced the places, it was like ‘What?!!!!’ That was awesome,” she says.  

Although Mazzio doesn’t judge a work solely by reviews, she does take multiple sources of reviewers into consideration when it comes to watching films. “I think reviews are key but oftentimes, you’ll see movies with terrible reviews that get big audiences,” says Mazzio before also pointing out “Certainly, there are many more movie critics, with bloggers and web and easy accessibility; you don’t just have the big movie reviewers – the Siskel and Eberts – I don’t think they’re given quite as much weight. With that being said, critics are important – they can influence audience goers. So when I go see a movie, I will actually go look at the reviews; I’ll look both at the critical reviews and then I’ll look at the audience reviews, because the critics may have a very different take than the audience.”

Film director Praheme with audience members at Saint Paul's Baptist Church.The disparity in movie reviews by critics and audiences alike is exactly why Praheme does not think they hold much weight at all, now that “everybody is a movie reviewer.” “Everybody can go on Twitter and tell you what they think about a movie, and that’s almost just as valid as the newspaper. I’ve never really believed that reviewers or critics were reviewing the movies in the same way that the audience member was -- as a regular, just average Joe Blow movie goer, and that, to me was always a disconnect when I used to read reviews, because it’s like, they’re grading it on this sophisticated, kinda snobbish movie standard – the acting, directing, dialogue – when most people are like ‘hey, did I enjoy that movie? Did it entertain me for that hour and thirty minutes? -- and that’s the way I look at movies,” proclaims this former Boy Scout.

“I don’t care whether the writing was great or all of that other stuff. Was I entertained? Did you make me laugh? Did you take me out of my thought process [that I had] before I walked in here? So, fuck the critics!” - Praheme

While Praheme values audience reactions over reviews, this still doesn’t impact his filmmaking choices. “I try not to think about any of that stuff while I’m making a movie. I’m making a movie purely based off of what I see in my head, in hopes that people will like what they see, but I’m not making anything expecting people to like this automatically. I’m not doing it with the hope that ‘hey, if I put this in then all of the Mexicans are gonna like this!’ you know, because I have no idea what people are going to like. So, I try to make stuff that I like and hope that there are enough weirdoes like me out there that will like it too. I think that my sensibilities are pretty common,” he says.  

There is much to be learned after discussing validation with Mary Mazzio and Praheme – both who have succeeded in gaining audience favor, in their own right, which can obviously be worth more than critical acclaim. The former narrow-minded thinking that told me I needed a movie review from none other than Roger Ebert, as my form of legitimacy, continues to teach me a lot about the importance of not relying on a specific person or entity to validate your hopes and dreams. Being flexible with your objectives is vital because that's when new doors start opening and exciting things beyond your wildest dreams begin to happen.

What does validation mean to YOU?

How much influence do reviews have on YOUR decision to see, or not to see, a movie?

What was the last movie YOU saw and loved despite it having negative reviews?

Also, be sure to check out yesterday's post about Understanding that the Future of Film is Up to Us.

A Conversation Concerning Competition and Cinema #atozchallenge #indiefilm

Production Crew on Set of TROOP 491: THE ADVENTURES OF THE MUDDY LIONSThere's a saying in the film industry -- you're only as good as your last movie. Considering that film festivals receive upwards of 2,000 submissions each year and only accept less than 5% of these works to screen at their event, moviemakers are pitted against a lot more than our own work.

The competition to gain favor among audiences, media outlets, studio executives and judging panels is high -- especially now that YouTubers and Vine stars appear be to landing television shows, sponsorships and movie deals more often than those of us who have studied and practiced the craft of filmmaking.

Oftentimes, it seems like we’re competing against four different areas including our previous work, Hollywood flicks released by the big-boy studios, other independent films and new media stars in who are killing it in the online video arena. While taking this into account where my own filmmaking endeavors are concerned, I also welcomed “Khoobi” director Amir Motlagh and “Troop 491: Adventures of the Muddy Lions” director Praheme to add some further understanding on how these matters affect them, or not.

For me, knowing that my latest short film “ABYSS: The Greatest Proposal Ever” is a much better movie than most of the movies I’ve made so far, brings a certain level of contentment. It tells me that I’m not spinning my wheels – at least not right now. Competing with one’s last movie can be a good thing; it’s worthwhile to consider this form of competition to be a sign of progress if the work we produce now is better than our previous creations. Competing with movies that are backed by studios and come out of Hollywood, however, is a disaster waiting to happen.

Filming scene on set of an Amir Motlagh production.“I have no interest in looking back, so my previous work is not a concern. However, I do strive to push myself anytime I have an opportunity to work. Often that means refining elements and avenues that might have been previously pursued or explored.

You can always build on thematics or aesthetics but in the end of the day, comparing is not helpful for me.”

 – Amir Motlagh, director, “KHOOBI”

l-r: Director Praheme and actor Kimani Coleman on set during scout meeting scene in TROOP 491: THE ADVENTURES OF THE MUDDY LIONS“I hope that with every movie I make, I can improve somewhat from the previous film. I don’t feel any pressure at all because it’s a natural progression. That is what makes a successful career – my movies getting better with each one.

I can see some growth in my first feature [Troop 491: The Aventures of the Muddy Lions] compared to the work I’ve done in film school, [particularly with] my writing and story. I feel like I’m decent; I don’t feel like I’m really good at anything right now and if I keep that mindset, that’s how I will keep making good work. I’m always working on my craft. On my second movie, I will be able to see my improvement as a filmmaker."

– Praheme, director, “TROOP 491: The Adventures of the Muddy Lions”

Not all independent filmmakers try to go toe-to-toe with studio productions but over the years, I’ve noticed some in the indie film world who do attempt to make movies that rival studio fare – particularly in the case of genre films; which never ceases to amaze me because it doesn’t make much sense. Studios have the juice to pull off all sorts of scenes containing stunts, special effects, crazy action sequences and hire the likes of George Clooney, Meryl Streep and Zoe Saldana.

Zoe Kravitz and Shailene Woodley star in DIVERGENTNo matter how much some independent films try to duplicate what Hollywood does, an ultra-low budget independent film is almost always going to come up short. That’s why it’s best to stay in our lane and do what we can with the resources we’re working with.

“'Superior' is a strange word in arts because it implies absolute standards of judgement, whether personal or from an outside source. That type of judgement is probably detrimental to your mental space whether immediately, or in the long run. One might as well concentrate on the tasks that lay directly in front of him/her.” – Amir Motlagh, director, “KHOOBI”

Over the years, other independent films, as well as online video series, have been two forms of competition that I considered to be useful to me in terms of knowing what resonates with people and what doesn’t – as well as what is possible and noticing opportunities to make or showcase my work in a way that has yet to be done by anyone else.

“I don't want to sound like I just picked up a GO GET' EM incantation; but really, the only competition is the self. The rest is a real drag. If this were basketball, then we're talking about something else. The rules are set, the standards are set. Filmmaking is not basketball. "Best" doesn't exist. Collaboration is a much better tool than competition.” – Amir Motlagh, director, “KHOOBI” 

Director Praheme on the set with actors Kimani Coleman and Michael A. LeMelle during a prison scene in TROOP 491: THE ADVENTURES OF THE MUDDY LIONS

“Competition helps us because the higher the competition, people have to work harder to get their work seen in a very crowded workplace. There’s so much material out here now – yours has to be really good to stand out. So, that means you have to find better stories, better actors and get the best cameras in order for your work to get noticed, because there is so much competition.  I think competition is great for every form of business; people get lazy if there’s nobody competing against them, and I love it!” – Praheme, director, “TROOP 491: The Adventures of the Muddy Lions”

Of all the concerns I’ve had for a long time regarding competition, I’ve been starting to come to terms with understanding that it doesn’t really matter at the end of the day, since the audience ultimately decides what is good and what is just Blah. That begs the question: How do we compete against other players in our field when the audience is in control? That’s just it -- we don’t!

Being aware of what’s out there in the marketplace is key to knowing how audiences respond to certain genres, cast members, plots, etc. but it is unnecessary to size up the quality of one’s work based on the characteristics and trajectory of another person’s creations. It’s better to give a project my best shot and not worry about competition in any area of the film industry. Instead, I choose to view competing films as motivational tools (even to learn from, where necessary) rather than a barrier, which is freeing because whatever happens will happen.

How has competition influenced how YOU operate in your profession, area of study or other pursuits?

Also, stay tuned for more from Praheme and Amir Motlagh! Be sure to check out yesterday's post: What Ben Affleck can Teach us about Bravery.

TROOP 491: THE ADVENTURES OF THE MUDDY LIONS is about Tristan, a reluctant new Scout who is conflicted after witnessing a homicide. Will he follow the code of the Streets or the code of the Scouts?

Directed by Praheme, this family film is showing:

Arizona International Film Festival

• Saturday April 12^th - 7pm at the Screening Room (127 East Congress; near Scott)
• Sunday April 13^th - 12:00pm Noon at the Grand Crossroads Cinema 6 (4811 East Grant Road; at Grant and Swan) in the Crossroads Festival Mall

Watch Amir Motlagh’s short film “KHOOBI” about young man born with an obsessive compulsive drive, whose dreams are faced with obstacles, including a war torn childhood that shake his soul to this day.