Running on that Movie-Making High - The Rush #atozchallenge #MondayMovieMeme #IndieFilm

“The most expensive habit in the world is celluloid, not heroin, and I need a fix every two years.” – Steven Spielberg

Production slate during filming of NEWLYWEEDS directed by Shaka King.During a film podcast from 2013, Shaka King, director of the stoner comedy drama “NEWLYWEEDS” talks about how making movies caused him to wonder if he can take care of himself and be a filmmaker at the same time.

King, an Independent Spirit Award winner indicated that making this feature film debut threw his life out of balance.

“NEWLYWEEDS” is a Sundance hit that later played in theaters and is currently available on demand, DVD and iTunes. In between these milestones, however, King described being broke and feeling like his body was falling apart; concerned about the toll that filmmaking has taken on his health. Yet, despite these highs and lows, he’s eager to make the next one.

Shaka King‘s enthusiasm for making movies – even with all of the madness it brings, got me wondering if we’re all borderline crazy. Must we get a little crazy to be artists? After all, who in their right mind would willingly sign up for a second and third go 'round of the stress and debt that filmmaking brings?! It's like a drug -- trying to get that "high" again so bad that you'll do anything it takes, even if it makes your life more difficult in the process.

So with that in mind....

The theme for this week’s Monday Movie Meme is based on the topic at hand: Adrenaline Rush.

Share on your blog or in the comments section, movies featuring people who are thrill seekers. Here are my selections, which are basically the first movies that came to mind when thinking about what would fit the bill for this week’s Adrenaline Rush theme.

Twister

It’s understandable that Jo was passionate about helping people get ahead of tornadoes as best as they could, in this adventure/disaster film. Some of her crew members, however, appeared to take great pleasure in being within seconds of danger, swept up in Mother Nature’s destructive, merciless, and potentially deadly storms.

Clockwork Orange

The group of friends in this movie get off on being delinquents; Hmm. Maybe they need a hug. Or, some jail time.

When was the last time YOU were excited to repeat an activity that previously caused chaos in your life?

Do YOU think art requires one to be crazy in order to pursue it, create it and/or deal with the rollercoaster of emotions that it brings?

What movies come to YOUR mind when you think about thrill seekers?

When I (Almost) Quit Making Movies - The Query that Changed Everything #atozchallenge #IndieFilm

Once upon a time, an Australian filmmaker I met on MySpace (back when social networks were just starting to gain momentum) helped with the encoding of one of my short films and then asked me to tell him about the experiences making said movie.  What followed was a letter that detailed various aspects of the project – from my scriptwriting process, through production and all the way to my very first acceptance notice from a film festival. If it weren’t for his inquiry, I may have never taken the time to sit back and reflect on the journey of trying to make something from little to nothing; all that went well, all that went wrong and nearly everything in between.

His one, simple query led to what became my production notes – a filmmaking diary of sorts – which is something that I would have otherwise never even considered writing at the time. I underestimated the importance of production notes. They can be therapeutic by helping filmmakers get an overview of what the timeline and progress (or halt) of their project looks like.

Writing to Quito made me realize that I made lots of poor decisions in trying to get a project off of the ground. The letter also caused me to notice when and where I gave up on doing what’s best for my project, me and my long-term professional goals; the moments where I pulled through and the rewarding results that came out of less-than-ideal circumstances. Although you might not understand if you’ve never made a movie, I’m almost certain that you can still relate to the feeling of wanting to give up on something that you once thought you wanted more than anything in the world.

When you’re making a movie, it's easy to get off-course, especially if you don't have a clear idea of what you're aiming for. In that case, it helps to have an end goal and not rely on making it up as you go along. It's also easy to not notice all of the areas where you should've done something different -- especially if you're rushing and everything becomes a blur in the mad dash to get a film in the can.

It wasn't until I wrote my letter to this Australian filmmaker who I met on MySpace, that I realized how many mistakes I made trying to salvage something that wasn't working on so many levels. I also realized that I was delusional about what I could accomplish with the things that were available to me.

Has anyone ever asked YOU a question that led to deep reflection on an experience that YOU otherwise wouldn’t have given a second thought about?

How Motion Pictures Put the Power of Prestige in Play #atozchallenge #IndieFilm

l-r: Comedian/Actor Marlon Wayans takes a Selfie with the undefeated Boxing World Champion Floyd Mayweather at the L.A. premiere of the comedy horror film "A HAUNTED HOUSE 2." Photo courtesy of Le Studio Photography, Getty Image, HipHopWired.Prestige. Some independent film directors have it. Many others don’t -- myself included. Yet, I’m willing to bet that a lot of us wouldn’t pass up the opportunity to get it in a heartbeat. One may even seek it out, having put it on a pedestal among his or her career objectives. I was like that for a very long time.

I wanted to be a director who is considered to be on the same level as, say, Steven Spielberg, Quentin Tarantino or Robert Rodriguez. Now, as I try to pinpoint what it’s worth, I wonder why I even sought it out in the first place.

What is Prestige, exactly and how do you quantify it?

For one thing, we know it sure as hell doesn't get you an Oscar...just ask Martin Scorsese. But maybe, just maybe it will get you an award of some sort.

Perhaps it could open up the right opportunities for you to land a job or meet people that can help you go places.
It might become a little easier for you to earn money for your work.
For, having Prestige may bring just the right amount of edge needed to put your name on the map.
That is, if you take advantage of it.

Prestige is what you make it.
It means nothing at all...until it does.
People start to pay more attention.
People began to take you seriously.
People give you a little R-E-S-P-E-C-T
That is what Prestige means to me.

What does having Prestige mean to YOU?

Are there any film directors would YOU consider being Prestigious?